
the man, the filmmaker, the artistThere's a new kid on the block, by the name of Jameel Saleem. No, i didn't say Jamaal. I said Jameel, which means "beautiful" in Arabic. You know how sometimes people can have names that actually mean something great and they're nothing like what their name describes? Well, that doesn't apply to Jameel. He certainly lives up to his name. He is beautiful, or handsome in appearance but also the way about him. He gives off a very positive vibe. At first glance, he appears to be a timid individual, which he admits he used to be until he took acting classes saying that they forced him out of his shell.
Jameel was inspired to pursue a career in film making by his parents. Are his parents big time industry heads? Not at all. They are simply movie buffs that opened young Jameel's eyes up to another world.
"Since I can remember, they were watching movies. All types. Black and white movies I like now. Most of my friends don't have the same taste in movies I do."
He lists the film
Harvey among his favorites. Actor Jimmy Stewart stars in the film. The story is about a six-foot tall, invisible rabbit. Jameel goes on to describe the story's main character as one of 'the most brilliant examples human kindness and human spirit.'
"I like films from the 30s, 40s and 50s. They had to concentrate on the story. If they couldn't draw people in with the story, it was pointless..."
As the discussion progresses, it becomes more and more apparent that Jameel only enjoys stories with what he describes as "heart." Another film on his top shelf is
Second Hand Lions.
"I love the heart in that movie. That's why I like Wall-e so much. The story had heart. It's like you can tell the writer was crying while they wrote it. The movies I really feel are the ones I know come from that place ... I'm a crier, too."
In order to be in the "write" state of mind, Jameel mentions that writing in public isn't an easy task for him. He has to achieve a certain ambiance in order to begin writing.
"In my room with the T.V. on, with a movie on. It has to be a movie I've already seen. I can't be looking up, trying to pay attention. It has to be there. I have to be able to look up every once in a while and get out of that for a second. I need to hear it in the background."
I'm glad he mentioned noise. I thought I was the only one that couldn't stand to work in complete silence. It can be deafening at times. Speaking of deafening, it seems as though everyone's ears are turned down to those preaching to them. Jameel acknowledges that fact by stating,
"You're not going to help anyone by preaching to them. The days of preaching are dead. It's 2009. Nobody wants to get preached to, anymore. My thought is, you need to lead by example. Don't say 'Don't do this.' Just don't do it and hope that they look at you and see that you're doing something positive. And hopefully if they're smart, they'll do something about it. My movies are just an example. An example of the way it is and the way it should be. Or it's an example of what's really good...I want somebody to watch my movie and after seeing something good, go out and do something good."
Now, to young, Black Hollywood. There aren't too many actors out there that make you want to say "Wow, that man/woman can act!" Who would know better than Jameel?
"Nobody's impressing me too much. I thought that Anthony Mackie did a good job in The Hurt Locker...I'm looking forward to seeing more from him...I have young, black actors that are dope, really good. And I know how to use them correctly. I'll give them the materials to bring out their exceptional talent. I want to do what Spike Lee did for that generation of actors. I want to bring out a new generation of black actors. I don't think there are any black filmmakers that are out there, right now, bringing out the new generation of talent. You can't bring out the new generation of talent in a movie like You Got Served or Drumline [NO SHOTS]."
"The funny thing is, here in L.A., there are a lot of actors that aren't getting seen...Why? Because they're not Will Smith's son. Back in the day...black filmmakers weren't like 'Okay. I'ma do this film. Let me get some names. Let me get Meagan Good. Let me get Christina Milian. Let me get...Back in the day they were casting. 'Let me find the best actress for this role. An unknown.'"
(Story continued
here.)